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Pro Tools app for iPhone


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#1
Guest_Donnie Darko_*

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YGUGgcoQ09A

" Could Apple be working on a Control Pro? One commenter thinks so, and this patent evidence from last year at least suggests they’ve thought about it. (Keep in mind, though, sometimes experimental ideas don’t become products, and patents are hard to read.)
Updated: How Alex Did It

Alex wrote in. He’s in fact a very experienced programmer with background in Pro Tools plug-in development, software architecture, and Macromedia’s multimedia architecture (pre-Adobe), among other things, and he’s kind enough to share with us how the whole thing works.

    The remote is real. I plan to sell it if Apple lets me once they certify my code- I assume that will happen after they release they native software SDK in February.

    Here are some snippets of previous posts that may answer some of your questions. If not feel free to ping me anytime.

    It works on the iPod touch and the iPhone (on all firmwares supposedly) and the reason “why” you would want this remote in the first place (at least for me): by the time I have gotten up and walked over to my console 10 times to adjust the levels, I no longer want to play music. This software allows me to control my rig from the drums or my guitar setup and hopefully keep the music flowing.

    I have a Tranzport which is what inspired me to write this software. I can’t get far enough away with my tranzport and it doesn’t have touch sensitive faders! :D Not to mention the UI on the tranzport is 2 lines and certainly not in color… I was thinking it would be cool to support their plugin architecture so that I could support the same DAWs as they do on my iPhone (they support them all it seems). I don’t think I can distribute their code but I could probably tell people where to get it! ;)

    more technical:
    This software is in three pieces: the first piece is the software on the iPhone (the remote). The second is the server (the brains) and the third is the MIDI driver (to communicate with ProTools)… The midi driver and server live on the ProTools machine.

    The server process uses a proprietary protocol over TCP on port 8183 and 8184. This isn’t some lame web service- it’s a high performance, low latency, full duplex server. It kicks ass and yes, it can act as an internet server if you so choose. The ideal however is to have local access to the server.

    You can run the server program on any machine you like (this may change for performance reasons). In my case (and the best case) is to run the server on the same machine as ProTools is running on- This reduces any latency to the iPhone.

    I’ve also tested the remote on the AT&T EDGE network which means you can control your rig from anywhere in the world that has internet or EGDE. Why you would want to do that is beyond me.

    The communication between the remote and server is not standard MIDI over IP. The ProRemote protocol is optimized for Wifi-remote access versus serial access for MIDI. The server communicates with ProTools (and soon other hosts) via a MIDI driver using the Mackie HUI (MIDI) protocol.

    Future:
    There is a transport control in the app where you can also see the timecode. I may put the timecode somewhere else… I’m also considering adding a dedicated transport “page” with a large “footswitch” style button for punch (you could use your big toe or something to trigger the big punch button) and a finger controlled scrubber/scroller as well as the usual host of transport buttons (but larger) and buttons for track selection, in, out- loop, etc…

    I was thinking it would also be cool to use the accelerometer inside the phone as a panner… (think Wii but with the iPhone as panner)- People who think you are crazy will know for certain if you start panning by making insane gestures with your iPhone.

    Finally, there are other goodies planned for the remote that I can’t talk about at the moment!

Really amazing stuff, and I think says a lot about where hardware/software integration will go in the post-MIDI world — not just for the iPhone/iPod, but new generations of hardware devices. Alex has more planned, so naturally we’ll keep you posted. (Now, Alex, about an Ableton or Logic version…) "

Link :
http://createdigital...touch/#comments

#2
rhythmboy

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That is absolutely fantastic!

A very useful tool

A few years back I spent a few days in northern vic on a farm helping a guy set up his home studio. Converted half his house so he had two recording rooms and control room. Drummer who loves his metal and wanted to also record local school groups etc.

Interesting thing about this guy was he is a C6 quadraplegic - has use of his hands but very limited shoulder movement, but adapted his movements to get around. He had an amazing drum kit customised to play 'hands-only, with everything angled precisely so he could reach in his own way. He would overdub his kick patterns by whacking a drum perched on a table with a timpani mallet. Incredible double-kick thrash and metal stuff  :wtf:

Amongst many tasks I did customising his studio for the wheelchair was to set him up with a second remote monitor, keyboard and mouse on a trolley with 25ft extension cables running from A/B switch boxes in the control room. This was so he could set up his drum tracks and record in Tools without having to wheel himself into the other room.

This little baby ^ would have been a godsend for someone in his situation. No cables to roll over, finger-tip motion, slip it in the pocket...

... and if he was alone in the studio and had an accident, fell out of his chair or something (a real concern of his), he could ring for help :(

#3
Guest_Donnie Darko_*

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how did he become paralyzed ?

#4
rhythmboy

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Rolled a ute paddock-bashing with a mate - he was the passenger  :P

TAC paid for pretty much everything in his studio - but hey, small compensation really.

Rather than go off topic, new thread looming ;)

#5
missbtalent

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Some very useful info regarding the apple apps..welcome to the igeneration for me i guess





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