Hey there
I heard from heaps of DJ's this is an awesome "tool", to avoid clashes etc.... and from others I heard they hardly do it.
I did a little harmonic mixing myself with the vinyls I had. I jut found the key by going onto the net and going into the mixshare website library (most songs you know are in it)
But I really doubt the so called "famous pro DJ's" go into that library. Although I know some (eg. Deep Dish) buy a software that does it for them.
My friend says that only a tiny minimal knowledge of music theory is needed.. the rest is just getting a keyboard and pressing a key that sounds similar to the base key of the track.
Just wondering how you boys do it.. if do it at all?
I know its really popular with trance DJ's and progressive house DJ's
EDIT: do you also write down the BPM of your tracks? cause harmonics will be affected when changing BPM (except with pitch control ofcourse)
#1
Posted 16 April 2007 - 07:19 PM
#2
Posted 16 April 2007 - 08:34 PM
I have perfect pitch which helps a lot, tho it means i can also pick 1/4 and 1/8th tones. Sometimes it's more of an annoyance than a blessing...
I learnt very quickly when i was teaching primary school kids how to play violin to 'switch off' this ability!
As for BPM, I used to write the bpm on my records when i first started dj'ing, tho for the last 8-9 years I have never bothered. it's pointless. Learn ya choons... simple as that
I learnt very quickly when i was teaching primary school kids how to play violin to 'switch off' this ability!
As for BPM, I used to write the bpm on my records when i first started dj'ing, tho for the last 8-9 years I have never bothered. it's pointless. Learn ya choons... simple as that
#3
Posted 16 April 2007 - 08:48 PM
Learn your tunes. that is all.
Having perfect pitch would help with really new stuff you haven't had time to learn, as would keying your tunes. But essentially its something i subconsciously do. Some times i don't just to create a change. But yes it is helpful especially once you understand how to create tension and release. Which is what really good "prog" Djs do. Aka Digweed and Sasha.
Having perfect pitch would help with really new stuff you haven't had time to learn, as would keying your tunes. But essentially its something i subconsciously do. Some times i don't just to create a change. But yes it is helpful especially once you understand how to create tension and release. Which is what really good "prog" Djs do. Aka Digweed and Sasha.
#4
Posted 07 May 2007 - 06:01 PM
In my experience it's something you could spend a lot of time trying to do but as Jay says you're best off to just know your records really well. The next tune will more often than not enter my head while I'm playing the previous one. If the 2 tracks are tracks I know well then usually they'll mix in key, it's a sub-concious thing that I (and most other DJs I think) do, my brain/soul(??) feels the next track, i guess if it's not in the same key for some reason then my mind wouldn't be thinking about it as it's currently working in the key that the track I'm playing at that point is in. So it's probably a neuro-pathways type thing. You could download software and write the key of all your tracks on the sleeves but that seems a bit dumb to me, feel the groove yo!
#5
Posted 07 May 2007 - 08:01 PM
Agreed , iv never got into the whole marking keys and writing down track specifics, its all about feel for me ... Ill just mentally match up in my head what I think will work well..
But then again , im not a professional DJ , so im sure each to their own.
But then again , im not a professional DJ , so im sure each to their own.
#6
Posted 07 May 2007 - 09:13 PM
Its funny that as this thread has progressed, i have begun Keying my tunes...
This has been another thing that has got me more inspired about Djing again, especially when a typical night for me can often start with deep house and end up rather banging.
It has made me feel the groove again.
This has been another thing that has got me more inspired about Djing again, especially when a typical night for me can often start with deep house and end up rather banging.
It has made me feel the groove again.
#7
Posted 07 May 2007 - 11:15 PM
for an interesting transition in a set, try mixing out of a choon into one in the key of the relative minor.
Top shelf chin-stroking here folks...
Top shelf chin-stroking here folks...
#8
Posted 07 May 2007 - 11:27 PM
oh, and pre the digital era on them big black spinning things, one would also have to take into account the pitch-shift the speed of the record produced before jumping into the bag to find that choon that would match at a slower(lower key)/faster speed(higher key)
nowadays it's easier, thank fuck!
nowadays it's easier, thank fuck!
#9
Posted 09 May 2007 - 09:09 PM
#10
Posted 06 December 2010 - 04:12 PM
digging this up from the archives... Mixed in Key looks great, but I'm of the view that it's better to learn the hard way - at least to start with. It's a learning/training thing. Sure, once you have it nailed you can use software to speed up the process. But I think I'd beneift more from doign it the old fashioned way.
Now, just gotta find the time to key up my 1000 or so records....
Now, just gotta find the time to key up my 1000 or so records....
#11
Posted 08 December 2010 - 11:21 PM
i wouldn't bother
i got all concerned about key back when i was getting into club dj'ing as i watched a lot of other people do it
my observations of mixing in key
1- it takes a lot of the satisfaction away from djing as you never get to play the tunes you want
2- a lot of the time people cant make good progressions so they just sit in the same key and the set becomes flat
3- you have to buy so many more tunes to construct sets
4- the whole pitch up/down key change did my head in
there are certainly genres of music where it can really work well but once again you want to know your progressions to make it work well
i'd rather just go out and play the crowd wants to hear and whatever in your box suits the theme of the night
after awhile you will be able to do with subconsciously (without keying your records or anything) because you know your sound and your tunes
i got all concerned about key back when i was getting into club dj'ing as i watched a lot of other people do it
my observations of mixing in key
1- it takes a lot of the satisfaction away from djing as you never get to play the tunes you want
2- a lot of the time people cant make good progressions so they just sit in the same key and the set becomes flat
3- you have to buy so many more tunes to construct sets
4- the whole pitch up/down key change did my head in
there are certainly genres of music where it can really work well but once again you want to know your progressions to make it work well
i'd rather just go out and play the crowd wants to hear and whatever in your box suits the theme of the night
after awhile you will be able to do with subconsciously (without keying your records or anything) because you know your sound and your tunes
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